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Composer,
Orchestrator, Guitarist
Gordon's Musical Journey, part 2
I graduated from U.T.
with a degree in Radio, Television, Film. I ended up moving to Reno,
NV of all places, to work at a couple of network affiliated t.v.
stations. I continued to play drums and guitar. I joined a band
called The Others, which really had some cool tunes. We even played
with the famous straight-edge band Seven Seconds. Things fell apart,
of course, but I jammed with the band of the fella who recorded
The Others' first cassette, they asked me to join, and ultimately
I became a member of Action Figure for the next 3 or 4 years, playing
rhythm guitar, backup singing, and writing songs. We played around
northern California, self-produced a couple of releases ("Actual
Size" and "Sold Separately"), and had a lot of fun.
I wrote many tunes for the group. It was a prolific time for all
of us. We did radio appearances, and I made a couple of music videos,
back in the time when videos were a big deal.
After the lead singer
of AF moved away (R.I.P. Willy), the remaining 3 of us formed an
acoustic band, The Hollowbody's. More gigs and radio appearances.
The lead guitar player and I had another band called The Blue Veins.
It was about this time that I finally decided to trade in my drums
(still had my dad's old set!), and concentrate exclusively on guitar.
Formed a band with the old AF drummer and his brother (R.I.P. Craig)
called None Of The Above. I took a few guitar lessons and classes,
and was getting better and better. I finally got burned out working
at news stations making crappy local ads for used car lots, got
a little money from a relative who passed (thanks Great Aunt Helen!),
and decided to move back to Austin.
Back in Austin, I
bought a computer and some recording software, and started to learn
how to record at home. Meanwhile, I still pursued playing live music,
hosting an acoustic open mic for a year so I could meet other musicians.
I quickly got a new circle of musical friends. I answered an ad
in the paper, joining a band called The Texas Philisitines. It was
kind of a cow-punk band, lots of fun. It was my first time I was
hired purely as a lead guitar player.
I kind of liked being the hired gun! We did a bunch of shows and
had 2 studio releases.
I continued playing
solo acoustic gigs, and also started playing what I called "ambient"
shows, in which I played music that was very layered and textural.
I used my guitar to make crazy loops and also control my synth,
all the while playing leads over the top. I played this music at
several art gallery openings and other interesting venues. I played
and was interviewed on KUT radio, and even played a live hour set
on a local t.v. channel during South By Southwest. I had a couple
releases of these extended live tracks; one called "Wood, Metal
& Plastic" and another called "Damaged Goo".
I also took this style further and helped form a group playing improvised
ambient music, called The Belgium Factor, which played a few shows
and released a CD.
I formed a band playing
original and improv rock and weirdness, calling it Smartacus. It
had a couple of incarnations, the first of which I also played Chapman
Stick for a short while. We played a bunch of shows, and released
a CD of my original songs called "Eyemoeba", and another
CD of our improvs called "Improv-O-Rama". We had some
very creative times with this group.
I shot an experimental
video of my friend Oscar's mosaic art and creations, put a tune
to it, and called it "The Lounge". It was shown in a local
film festival. Plus, I did music and sound design for the stage
show "Tourist Trap" by S.T. Shimi, music for a friend's
animated video that became part of her art installation, music for
another friend's video called "The Sleeper's Dreams",
and music and sound for a tactile art installation that you went
through blind-folded ("Eye For An I") ! I also edited
a few videos for other bands, including Spoon, Fastball, and The
Deep Sombreros, whose first video was an Austin Top Ten that year.
During this period
in Austin, I was working at a state agency, shooting and editing
video and other audio/visual work. I realized the videos I was editing
for work needed music, and I decided to make my own music for them.
Eventually, I came to understand that I was enjoying doing the music
for the videos more than making the videos themselves. I decided
I wanted to learn how to do this kind of work for real, and began
to look into schools that could teach me how.
Go
To Part 3 of G's Journey
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